Employees Category: Contributing Members

Cristina Maria da Costa Vieira was born in Porto, 1973. She is licensed and has a master by FLUP and is PhD by the University of Beira Interior. She is Assistant Professor since 2005 at UBI, teaching Modern and Contemporary Portuguese Literature, Oral and Marginal Literatures and African Lusophone Cultures, the last ones in the area of the Master Degree Teaching, Cultural, Linguistic and Literary Studies, that she coordenates. She is specialized in the areas of Portuguese historical novel and theory of character. She is integrated member of CLP and collaborates in IELT. In her vast work, she highlights the books O Universo Feminino n’A Esmeralda Partida, de Fernando Campos (Difel, 2002) and A Construção da personagem romanesca: processos definidores (Colibri, 2008), the coordination of three books on Lusophone relations, with essays and reviews in journals of literary art, such as Colóquio/Letras (Lisbon), Brotéria (Lisbon), Convergência Lusíada (Rio de Janeiro), Cadernos do CEIL (Lisbon), UBILETRAS (Covilhã), Estudios Portugueses y Brasileños (Salamanca), Revista Portuguesa de Humanidades (Braga) and Lusorama (Frankfurt). [Scientific outputs]

 

Carlos Nogueira is a researcher at José Saramago Chair at the University of Vigo (Galicia, Spain) and holder of the José Saramago Chair at the Universidade de Trás-os-Montes. His teaching and research have focused on the relationships between Literature and Philosophy, Anthropology, Politics, and Law. His books have been published by Fundação Calouste Gulbenkian, Imprensa Nacional – Casa da Moeda, Porto Editora, Edições Europa-América, Edições Lusitânia, Livraria Lello, and Tinta da China. He was awarded The Santander prize for Research Internationalization at the Universidade NOVA de Lisboa, the MontepioEssay prize, the Jacinto do Prado Coelho prize for Criticism, and the Vergílio Ferreira Literary Essay prize. [Scientific outputs]

 

Researcher/visual artist. PhD in Communication Sciences from NOVA FCSH – Universidade NOVA de Lisboa: Não Estamos Sós Sob a Pele – Uma Exposição Possível Acerca de Duplos. Author of texts on contemporary art at the intersection with other disciplinary fields (literature and communication sciences) and themes (body, image, technology, environment, landscape, popular art and medicine). Activity in the field of fine arts: exhibitions, book covers and visual essays integrated in books. Has been teaching Fine Arts (Ar.Co, Fórum Dança e ESAD-CR). Author of transdisciplinary option, Duplo nas Artes (ESAD-CR) or Cópias, Duplos, Máscaras e Clones na Arte e na Literatura (summer course at NOVA FCSH) and co-author of free course Todas as Artes Contam – Intersecções: Conto, Pintura e Cinema (NOVA FCSH). [Scientific outputs]

 

He is a Higher Education Teacher. Degree in Social Anthropology, Master’s in Sociology of Education, Doctorate in Cultural Anthropology from ISCSP – Instituto Superior de Ciências Sociais e Humanas. Coordinator of Fórum Ribatejo and of the collections Raízes and Antropologia from Editora Cosmos. He has worked on traditional culture, especially on the Anthropology of the Sacred and its symbolic and festive representations, traditional cultural and cultic practices, particularly with regard to popular religiosity and its syncretic relations with ancestral roots and modern mutational influences. [Scientific outputs]

 

Andrea Ragusa (Turin, 1979) graduated from the University of Turin and received a PhD from the New University of Lisbon, in Portuguese Studies. He is currently a professor in the field of translation and linguistics studies at the University of Parma and a researcher at the IELT, within the scope of language and literature studies in the 19th century. He is co-director of the review Appunti leopardiani (Florianópolis) and member of the editorial board of Edizioni dell’Orso (Italy). He translated into Italian some works by Portuguese-speaking writers, including Antero de Quental, Fernando Pessoa and José de Almada Negreiros. [Scientific outputs]

 

Assistant Professor with habilitation at School of Social Sciences and Humanities from the Universidade NOVA de Lisboa, where she has taught in the field of Comparative Literature and Literary Studies. Her areas of study include short fiction history and theory, narratology, comparative literature, regionalist literature and narrative medicine. She is a researcher of the Project in Medical Humanities of the University of Lisbon Centre for English Studies. [Scientific outputs]

Post-Doctorate in Literary Studies, by Universidade NOVA de Lisboa, PhD in Contemporary Portuguese Literature, and Master in Portuguese Studies, by the same University. Researcher at Universidade NOVA de Lisboa, Faculdade de Ciências Sociais e Humanas (NOVA FCSH). She works in the domains of Literature and the Arts and their close relationship, namely in the field of research on literary and artistic education. She is the author of the books Manuel António Pina – Uma Pedagogia do Literário (Solar System – DOCUMENTA, 2017); Mário de Sá-Carneiro: Um Instante de Suspensão (Edições Vendaval, 2003). She coordinates the research project Por uma Pedagogia Criativa, on Manuel António Pina’s work for children. She also coordinates, within the scope of her research, two pedagogical projects: Motiv/Art (Art Citizenship), which aims to promote Literature and the Arts in the 1st cycle of Basic Education and (in the 2021-2022 biennium) the project Confi/Arte: re-creative workshops − Arts and Education for the Values of Global Citizenship in the 21st Century (with the support of DgArtes). She wrote three books for children: Missing Beauty (2007) (Hans Christian Andersen Literary Prize, from Figueira da Foz City), The Blue Pencil (2008); The Land of Wise Men (2021). She also wrote, in co-authorship with Gustavo Rubim, the theater play Assim também Eu (2010). She is the creator and editor of Revista Dobra Literatura Arte Design. She is also the author of several articles, published in specialized magazines, within the scope of contemporary Portuguese literature and the promotion of literary reading in close connection with an artistic education since childhood. [Scientific outputs]

 

Marcelo Brice Assis Noronha is a researcher at IELT, in a post-doctoral internship, with the research project Quincas Borba and the machadian plot – imbrications: people, books, politics, and delirium, under the supervision of Doctor Abel Barros Baptista. He is a professor at the Federal University of Tocantins (UFT-Brazil) in the Social Sciences course – Porto Nacional-TO. Graduated in Social Sciences from the Federal University of Goiás (UFG-Brasil) with a master and doctorate from the same institution. He Has experience in the field of Sociology, with emphasis on sociological theory, sociology of culture, sociology of literature, sociology of literary criticism, and culture. Working mainly on the following topics: Machado de Assis, Machado critique, art and society, aesthetics, literature, discourse, social thought in Brazil, development, power, and politics.

 

Luís Bueno got his Doctorate degree in Literary Theory and History from Universidade Estadual de Campinas (Unicamp) in 2001. Teaches Brazilian Literature and Literary Theory at Universidade Federal do Paraná (UFPR) since 1996. He has been post-doctorate researcher in Universidade NOVA de Lisboa (2007-2008) and in King’s College London (2014-2015) and has published, among others, the books Uma história do romance de 30 (Edusp/ Editora Unicamp, 2ª ed 2015), Capas de Santa Rosa (SENAC/ Ateliê, 2016) e Paradeiro (2018).

 

Associate Professor at the Department of Social Sciences and Management at Universidade Aberta, where he teaches since 2002 in the areas of anthropology, community development and forced migration. He obtained in 2010 a doctorate in Social Anthropology with a thesis on the ritual practice and social organization of the Bunak, in East Timor, a country where he lived for several years. It is a member of the Centre of Studies on Migrations and Intercultural Relations where it is the research coordinator of the group Migration and Cultural Diversities. [Scientific outputs]