Archives: Employees

BA in Philosophy from the University of Southern Santa Catarina (2018); Special Master’s Student in the Postgraduate Program in Society, Culture and Borders at Unioeste – Foz do Iguaçu. Master’s degree from the Postgraduate Program in Society, Culture and Borders at Unioeste – Foz do Iguaçu. Defended his dissertation in 2021. Capes scholarship holder between 2019 and 2021, during his master’s degree. Postgraduate, Latu Sensu, in Anthropology in 2021; in History in 2021; and in Archaeology and Heritage in 2021. Psychoanalyst trained at the IBPC in 2021. PhD student in Medieval Studies, since 2021, at the Universidade Aberta and the School of Social Sciences and Humanities (NOVA FCSH), under the supervision of Professor Isabel Maria de Barros Dias and Professor Maria João Branco. Researching the thesis Estudo Imagológico do Medievalismo brasileiro do século XIX. Member of the research group of the CLAEC – Centro Latino-Americano de Estudos em Cultura as an Associate Researcher. Member of the Instituto Estudos Medievais (NOVA FCSH).

 

Andreia Almeida is a master student in Portuguese Studies at NOVA FCSH and has conclude her degree in the same department and institution. She also has a degree and master in Psychology at ISPA – Instituto Universitário. She is working in the project  “Portuguese women writers during Military Dictatorship and Estado Novo in Portugal, Africa, Asia and countries of emigration”, that involves IELT, CICS.NOVA/Faces de Eva (NOVA FCSH), and CRILUS/UR, University of Paris Nanterre.

José Manuel da Costa Esteves teaches at the Université Paris Nanterre, where he has been coordinating the Lindley Cintra Chair of the Camões – I.P, since 2002. Additionally, he serves as deputy head of the research center CRILUS (Centre de recherches interdisciplinaires du monde lusophone, UR Etudes Romanes). He completed his studies at the Faculty of Letters of the University of Lisbon. He is a member of the Portuguese Association of Literary Critics, the editorial board of the journals Colóquio-Letras, Faces de Eva, Convergência Lusíada, Cahiers du Crepal, and has published extensively in the areas of language teaching, language and cultural policies, and modern and contemporary Portuguese literature. Some of his words include: La Littérature Portugaise contemporaine, Paris, 2008; Maria Judite de Carvalho: une écriture en liberté surveillée (with Maria Graciete Besse and Adelaide Cristóvão), Paris, 2012; Escritoras portuguesas no tempo da Ditadura Militar e do Estado Novo (with Teresa Almeida e Isabel Henriques de Jesus), Brussels, Peter Lang – a book that is part of the project “Escritoras portuguesas no tempo da Ditadura Militar e do Estado Novo em Portugal, África, Ásia e Países de Emigração,” of which he is a team member.

Born in the Dominican Republic, Inês Thomas Almeida holds a PhD in Historical Music Sciences from Universidade NOVA de Lisboa and is a researcher at INET-md/NOVA FCSH. She was awarded a scholarship by the Fundação para a Ciência e Tecnologia, and for her doctoral thesis O olhar alemão: A prática musical em Portugal em finais do Antigo Regime segundo fontes alemãs, under the supervision of Rui Vieira Nery, she was given the highest classification unanimously. She received a Merit Scholarship from the University of Évora in 2001 and 2002, awarded to the best student in each course. She lived in Germany from 2003 to 2016, where she created an NGO to support the Portuguese community in Berlin. In this context, she was responsible for numerous cultural, social and humanitarian initiatives and received several awards and distinctions for services to the community. Her main research interests are music in the 18th century, travel literature, women and music, proto-feminism, transnational cultural networks, as well as links between Germany, Austria and Portugal in the 18th century. Inês Thomas Almeida has published scientific articles in peer-reviewed journals on foreign travellers in Portugal, musical practices at the end of the Ancien Regime, the Sephardic salonnière Henriette Herz, the Duke of Lafões, and other topics related to 18th century and travelogue research. She was a lecturer at the National Superior Academy of Orchestra and regularly teaches free courses at the Universidade NOVA de Lisboa. She continues an intense activity as a lecturer, both in national and international symposiums in her scientific area, as well as in the Calouste Gulbenkian Foundation and at the National Theatre of São Carlos. She is also dedicated to the dissemination of knowledge to non-specialized audiences, which is reflected, for example, in the webinars she created on Musical Culture and Women Composers. [Scientific outputs]